Another one of these moments is when a character swings a motorcycle around his head to fend off approaching enemies. The use of slow-motion especially enhances the entertainment of these scenes during absolutely bonkers moments such as when a character jumps out of a truck carrying two torches with a hoard of tigers, leopards, bears, and wolves at his side.

The unapologetic use of slow-motion multiple times throughout every action sequence greatly enhances their entertainment and overwhelms the viewer with excitement.

However, the film seems to almost be aware of this fact and finds a way to somehow embrace the over-the-top nature of repeated slow-motion shots, which miraculously stick the landing. This can very easily become obnoxious and annoying to the viewer. Beginning with the many action sequences, the film utilizes slow-motion as much as it pleases. The film goes all out in its wild, wacky, and wonderfully over-the-top style of entertainment. The various characters in the British governance of India such as Ray Stevenson, Alison Doody, and Edward Sonnenblick all do an effective job in portraying the attitudes that the colonizer has against the colonized.

He finds himself making many decisions that really violate his sense of identity and own well-being. Eventually, the film shows us why this character partakes in the suppression of his fellow countrymen, how he found himself in this position, and what has led him here. The viewer is also able to feel the conflict of RajuвЂ™s character as an Indian man in the British colonial army.

Rule of rose tropes